SIRUI Night Walker T1.2 S35 Frame Cine Lens Series - Black / 16mm / E
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Description
Fast Aperture
Product Comparison
SIRUI launched 24mm, 35mm and 55mm before. Now, wide-angle 16mm and telephoto 75mm further complement the Night Walker Lens Kit. The 16mm and 75mm are also T1.2 fast aperture lenses and there are still two colors for your choice - black or metal gray. Lenses of this kit feature consistent look, similar character, high sharpness, minimal breathing effect and affordable price.
Users can capture wide-angle images with this 16mm lens, especially background, starry sky, vast land or shooting in narrow indoor situations. This fast aperture lens with 0.3m minimum focus distance brings you brilliant and unique shooting experience.
Equivalent to 24mm lens
Instead of exaggerated distortion of other lenses, precise optical design of this SIRUI 16mm lens helps control distortion, which makes shooting smooth and natural.
Suitable for portrait, emotion or other details.
Equivalent to 113mm lens
Shallow depth of field and fast aperture provides you with clear subject and creamy bokeh.
24mm, 35mm, 55mm
Included 24mm, 35mm and 55mm lenses are
all S35 frame lenses, which can be used in scenery, documentary, portrait, still life
shooting, etc.
Equivalent to a 34mm full frame lens
24mm: suitable for landscape, street and scene shooting
Equivalent to a 49mm full frame lens
Equivalent to a 77mm full frame lens
35mm: suitable for humanity, document ary and portrait shooting
55mm: suitable for close-ups, portrait shooting
Reducing the use of fill light in low-light conditions makes you a run-and-gun filmmaker. Besides, there is no need to use extremely high ISO and you can get a pure low noise night scene.
Because of its great optical performance, the image is still sharp at max aperture. In addition, fast T1.2 aperture contributes to pleasing bokeh quality and clear subject, thus giving the footage extra expressiveness and aesthetics.
Stepless aperture ring design helps to shoot smooth and stable scene.
Aspherical Lens, ED Glass and High Refractive Index Glass are added to reduce lens size and meanwhile provide outstanding optical performance with perfect sharpness, minimal focus breathing and strictly controlled aberration and distortion.
Focal Length
16mm
75mm
Aspherical Lens
2
/
ED Glass
3
/
High Refractive Index Glass
2
4
Focal Length
24mm
35mm
55mm
Aspherical Lens
/
/
/
ED Glass
/
1
1
High Refractive Index Glass
6
1
4
Focus Shift
Focus
Spherical
Without Focus Shift
Focus
Aspherical
Normal Glass
ED Glass
The weight of one single lens with advanced optical construction is less than 600g, which creates a new era of lightweight fast aperture lens. Also, strong aluminum alloy construction helps protect inner optical elements.
*Lens weight of different focal length and mount is not all the same.
All focal lengths of the same mount have the same size.
Uniform 67mm filter thread.
Identical gear position across the lenses for quick lens swap.
Identical 77.6mm diameter focus ring with 270° focus throws.
Matched color tone and image quality.
Classic black and vintage metal gray are available for your choice.
Q: What is the S35 frame? A: The S35 frame, also known as Super 35mm, is a common image sensor size used in film cameras. Its dimensions are approximately 24.89 x 18.66mm. This format is primarily used in film and video production.
Q: What is the difference between S35 and Full Frame? A: Full Frame sensors have dimensions of about 36 x 24mm, which is larger than S35 sensors. This means that Full Frame sensors can provide a larger field of view and better low-light performance. Additionally, Full Frame lenses typically require larger, more complex lens elements and optical designs, which can make them more expensive.
Q: What is the difference between S35 and APS-C? A: APS-C sensors usually have dimensions ranging from 22.2 x 14.8mm (Canon) to 23.6 x 15.6mm (Nikon, Sony, etc.), which are smaller than S35 sensors. This means that S35 sensors can provide a larger field of view. Moreover, APS-C is the standard for most consumer and professional digital SLR (DSLR) and mirrorless cameras, while S35 is the standard in film and video production.
Q: Which frame should I choose? A: This primarily depends on your shooting needs and budget. Full Frame provides the best image quality and the largest field of view, but it may be more expensive. S35 and APS-C might be more suitable for photographers with a limited budget but still want to achieve high-quality images.
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