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L Mount (Leica、Panasonic)

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FAQ

What lens to use for filmmaking?

Most crews stick to three go-to options: simple, effective, and tried-and-true:

Primes (35mm/50mm) – the set workhorses. The 35mm lens is perfect for interviews and dialogue scenes. While the 50mm lens is ideal for capturing beautiful close-ups.

Anamorphics – When you want that true cinematic look with oval-shaped bokeh and wide-screen appeal. Although more expensive, they deliver that distinctive filmic character that sets professional work apart.

Zooms (24-70mm) – the flexible backup, which saves time when you cannot reposition. Especially great for documentaries or unscripted shots.

How to choose the right cinema lens?

Start with this question: What do you want to shoot?

Want an epic, cinematic look?
Anamorphic lenses can capture wide shots and produce cool, oval-shaped bokeh effects.

Shooting events or documentaries?
Zoom lenses allow you to capture different angles without changing lenses.

Shooting portraits or controlled scenes?
Prime lenses can keep your images sharp and clear.

Tips:
Large apertures (f/2.0 or larger) perform better in low-light conditions.
A robust and durable construction ensures the lens can withstand frequent use.
With their unique style, some lenses can give your footage a distinctive visual effect.